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By the 16th century, doors to spirituality was shut to the common man in Maharashtra. The Mughals had already ransacked holy places. Custodians of our philosophy, the Brahmins, zealously hid this wealth of knowledge from the masses. Sanskrit the language of our scriptures was known to an elite few. Rituals that supposedly gained admission into the inner sanctum of God were unaffordable for the ordinary man. At this this juncture Vaishnavism had its birth in Bharat. Bhakti yoga or the yoga of Devotion rose in splendour. From the ranks of the common man then appeared radiant souls. They flung open these doors for any desirous ones to follow. Sant Gyanesvar opened the Bhagavad Geeta with his Gyaneshvari in Marathi. Then followed Namdev and Eknath. With his melodic abhangs that contain "indestructible truths" Gyanba Tukaram affixed the golden kalash to the Temple of Bhakti and the Varkari Sampradaya of Maharashtra. This kalash was placed on behalf of those that sow and reap the grain, that hammer and chisel away the leather, that pound the pulses, that lay the bricks for a dwelling, that sweep the dust away. To these folks the dry language of Advaita where Negation not Affirmation, where Oneness not Multiplicity where sterile Acute Reasoning not Living Life in Full was stressed, had no relevance . Service at the feet of a personal God was more meaningful than Knowledge of Self and Soul. To them Tukaram's songs made sense when he said-
Nako brhmagyaan aathma sthitthi bhaava
Mee bhaktha thu deva aisey karee.
Daavee* roop maja gopikaa ramana.
Teyvu* dey charanaavaree maatthaa.
His devotion to the deity at Pandharpur was unique. Vittala was his real family, therefore he would affectionately call him Ba or Ayi. His songs have the flavour of simple saguna upasana. For that reason the farmer, the housewife, the cobbler and the tailor could sing these as they toiled.
His dependency on the Lord was total, not tempered by circumstances. He was fully aware of the wave produced by the ocean, the Creator is connected yet different from the Created. In the song Thu maajhey maavulee mey thujhey leynkaru…. he implores the Mother not to distance the baby. The baby needs to know that the Mother is there for him. In the second stanza he shows desperat need for divine nourishment that the calf feels. The milkman of life should not cheat him of that. The young fawn needs guidance in its travels therefore that thread of guidance should not be broken. The human being as he weaves in and out of life, experiences tremendous fragility. Tukaram asks for the substratum of hay so that the egg may hatch. In his explorations it is possible that man may step into danger. Tukaram begs his Vittala to protect him with the vigilant eye of the tortoise over its young. Thus will he be saved from sinking into the bondage of sansaar.
Typical of the Varkari sampradaya where samaj seva (service to the community) and hari sankirtan (group worship through music) was the Way, Tukaram made it his call to work for group enlightenment rather than just for himself. In that sense he was very much a bodhisattva.
I wind up the thread and release the kite to the sky.
I have pawned myself to preserve my selfhood.
My debt is secure with interest.
Where there is seed there will the sprout be.
Preserving its capacity for growth.
Tuka says I serve with certainty that
God is not other than me.
He proved to the world with his own life that one does not need to abandon the life of a householder to climb to the highest rung of the spiritual ladder. The caliber of this saint was that of one ever ready for " jyoti sey jyot milana". In other words the individual, the jiva was enlightened enough to merge with the Divine Light, which he indeed concretized.
Geetaa jeyney upadey shili, tey hey vittavari maavulee.
Vittala amuchey jivana, aagama nigama sthaana.
Tho haa nandaacha baalamukunda, thaanha mhanavee paramananda.
Vishvo* key janithaa kahey yashodaa maathaa.
Paanduranga dhyaanee, panduranga manee.
Jaagrathee* svapnee* paanduranga….
The great lord who gave the Geeta is the familiar,approachable, the covetable, beautiful Vittala of Tukaram. While many resort to the Agamas and Nigamas, Tukaram finds Vittala as the sole foundation for all sources of spiritual knowledge. The son of Nandagopa , a puranic reference is indeed the Paramatman ,the ultimate of Advaita, for the saint. The progenitor of the Universe can be brought down, through the marvels of bhakti, as one who would call Yasoda as Mother. All this is possible because Panduranga alone features in his thoughts and during meditation. Panduranga is the thread that connects this saint through his waking and sleeping states.
Tukaram was a boatman. His rowing was done with his kirtans. His boat was devotion as he practiced day in and day out. In his group sankirtanas that he held at various places he willingly encouraged passengers to climb into his boat. He would ferry them across the River of Life.
